Poland: “Olivier Messiaen’s piano cycles from the 1940s, Vingt Regards Of Time” seminar at the Music Academy (October 2017) Poland: “The Angel of the Apocalypse and Messiaen’s Quartet for the End Historia - theoria -Įmmendingen, Germany: “Debussys Lieder der Bilitis”, lecture at the Volkshochschule (November 2017). International conference “Musical Analysis. Painting Jacob Wrestles with the Angel,” invited paper at the Poland: “Alexander Tansman’s musical response to Paul Gauguin’s Germany: “Lyrik und Musik: Verlaines Manifest in der Musikĭebussys,” paper presented for the Kulturkreis Emmendingen (March 2018) Kraków: Poland: “Poetry and Music: Verlaine’s Manifesto in Debussy’s Music” and “Debussy and the chansons de Bilits,” seminar at the Music Academy (March 2018) Music on Wind, Water, and Fog,” seminar at the Music Academy Poland: “Debussy’s Exotic Piano Music” and “Debussy’s Piano Kraków: Poland: “Debussy’s Flute Music: Syrinx and Sonata for Flute, Viola, and Harp,” seminar at the Music Academy (March 2018) Kraków: Poland: “Debussy’s First Orchestral Triptych: Nocturnes” and “Debussy’s Third Orchestral Triptych: Images pour orchestre, surrounded by two commissions,” seminar at the Music Academy (March 2018) Kraków: Poland: “Debussy’s Only Opera: Pelléas et Mélisande,” seminar at the Music Academy (March 2018) Poland: “Debussy’s Response to Literary Developments and Change inĬompositional Technqiue,” doctoral seminar presented at Kraków Music Poland: “Verlaine’s Manifesto in Debussy’s Music: The Quest forįreedom,” invited paper presented at the international conference “Beethoven and significant anniversaries.” (March 2018) Kraków: Poland: “Sorrow and Serenity in Visions of Impermanence: P enderecki’s Eighth Symphony,” invited paper presented at the Conference on Polish Music (November 2018)Įmmendingen, Germany: “ Gaspard de la nuit: Ravel und die Gedichte des Teufels”, lecture at the Volkshochschule (June 2018). Warsaw, Poland: “Aribert Reimann’s Epitaph with poems by Shelley: A Cycle of Romantic Songs Centuries after Beethoven’s An die ferne Geliebte.” Invited paper presented at the international conference “Beethoven and the romantic song.” (April 2019) The International Symmetry Association (July 2019)Įmmendingen, Germany: “Anton Webern’s Streichquartett d-Moll nach Giovanni Segantinis Alpentriptychon,” paper presented for the Kulturkreis Emmendingen (May 2019) Speech at the Symmetry Festival 2019 organized by Paul Verlaine’s Manifesto in Claude Debussy’s Music," plenary Karlsruhe, Germany: "The Correspondence of the Arts at the Launch of Modernism: Katowice, Poland: “Debussy’s Flute Music: Syrinx and Prélude à l’après-midi d’un faune” seminar at the Music Academy. Katowice, Poland: “Debussy’s threefold involvement with the Chansons de Bilitis” seminar at the Music Academy (November 2019) Katowice, Poland: “Debussy and Whistler: Nocturnes” seminar at the Music Academy (November 2019) Katowice, Poland: “Debussy’s countries of nostalgia: Images pour orchestre” seminar at the Music Academy (November 2019) Trois strophes sur le nom de Sacher” seminar at the Music Academy(November 2019) Poland: “Dutilleux and the Cello: Tout un monde lointain and briefly: Les citations (1985-2010)” seminar at the Music Academy(November 2019) Poland: “Dutilleux’s Two Quartets: Ainsi la nuit (1973-76) and briefly: Mouvement ou La nuit étoilée,” seminar at the Music Academy (November 2019) Poland: “Dutilleux’s Mystère de l’instant and Timbres, espaces, L'horloge for soprano and orchestra” seminar at the Music Academy(November 2019) Poland: Dutilleux’s late vocal works Correspondances and Le temps Work,” held at the Music Academy(November 2019) The international conference “The Past and the Present in a Musical Tombstone Inscribed with Poerms by Percy B. Poland: “Aribert Reimann’s Musical Circumambulation of an Imagines
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